Musical (1996)


Musique: Martin Silvestri
Paroles: Joel Higgins
Livret: Joel Higgins
Production à la création:

ACT 1
A steamy summer morning in the rural deep South of 1918. A gang of prisoners works along the dusty roadway leading to Fairweather State Prison. Jonas Candide, an ex-carnival barker and con-man who is now employed as the state's official "travelling executioner" arrives at the prison with his electric chair. He has come to attend to his next "clients" Willie and Gretchen Herzallerliebst, brother and sister German immigrants who have been convicted of murder.

Upon arrival, Jonas learns from the warden that the woman has been granted a short stay while her lawyer tries to convince the Governor to commute her sentence. Proceeding with Willie's execution, Jonas demonstrates his unique approach to the job. But something goes wrong. Happy to put the day's events behind him, Jonas treats Jimmy, the gawky, young town mortician who idolizes him, to a night of debauchery at the local whorehouse.

The next evening, to satisfy his curiosity, Jonas visits Gretchen Herzallediebst in her cell. He is smitten by her beauty and wit. In return for her "favours", Jonas is persuaded to buy her some more time by hiding his chair and convincing the warden that it was stolen. Gretchen's lawyer, not satisfied with that, discovers the hiding place and disables the chair with a fireaxe.

Jonas must take the chair to the local fix-it shop for repair, where the sight of it creates quite a stir among the locals. Unable to stay away, he visits Gretchen again and is seduced even further.

Jonas comes up with a plan to save Gretchen. When the chair is ready, he will proceed with her execution, but give her only enough voltage to knock her out. Meanwhile, he will have struck a deal with the dissolute prison doctor to pronounce her dead and persuaded Jimmy to carry her out like a cadaver with no one the wiser. Doc is reluctant, saying that it's too risky and won't work. Jonas demonstrates his theory on a prison rat. The Doc finally agrees to play his part … for a five hundred dollar bribe! Jonas vows to somehow raise the money and free Gretchen.

ACT 2
Gretchen takes her mandatory hour of exercise on the prison yard inside a huge, wire cage which protects her from the male prisoners. Jonas arrives, and bribes the guard for a moment alone with Gretchen to let her know of his plan to save her.

Jonas springs into action to raise the money to pay Doc, He smuggles the town whores into the prison late at night and, posting Jimmy as a lookout, turns Doc's infirmary into an impromptu bordello. Doc stumbles in and seeing Jonas' resourcefulness, raises his asking price to a thousand! Jonas, wondering what the hell happened to his lookout, finds Jimmy completely distraught after being assaulted by some of the inmates. Moved by Jimmy's plight, Jonas makes him his new assistant.

Jonas gets into a high stakes poker game and wins the thousand, only to be jumped, beaten and robbed by the losers. Bruised, bloody and completely broke, Jonas returns to the prison to find Deputy Warden Piquant ready to string Gretchen up while the Warden is away at the county seat. By assuring him that the chair will be ready the next morning, Jonas gets him to relent.

With time running out, Gretchen urges Jonas to try the local bank for the money. By whipping the bank's patrons into a patriotic fervor over war bonds, he convinces the manager to give him a loan. However, when the manager discovers that Jonas is an ex-con, he reneges. Jonas, in a panic, makes a play for the money. With the bank alarm ringing in his ears, he beats a hasty retreat back to the prison to spring Gretchen, but the escape attempt goes terribly wrong.

Several months later, the prison yard is packed with guards and witnesses as Jonas Candide is placed in the refurbished electric chair by Jimmy, the new executioner. Jimmy gets so excited as Jonas regales him with descriptions of the hereafter that he revs the generator way too high. When Jimmy pulls the switch everything goes up in flame and smoke. As the smoke begins to clear, we glimpse an image of Gretchen and Jonas alone on stage, waltzing.

1 Fields of Ambrosia (The) peut-être considéré comme un Flop musical



Ball and Chain
Hubbub
The Fields of Ambrosia
How Could This Happen?
Nuthin'
Who are You?
Reasonable Man
Step Right Up
Too Bad
Scene: That Rat is Dead/Step Right Up (reprise)
Hungry
Continental Sunday
Alone
The Card Game
Scene: The Gallows
Do It For Me
All in this Together
Scene: The Getaway
Scene: The Breakout
The Fields of Ambrosia (reprise)

Aucun dossier informatif complémentaire concernant Fields of Ambrosia (The)

Aucun dossier informatif complémentaire concernant Fields of Ambrosia (The)


Version 1

Fields of Ambrosia (The) (1996-01-Aldwych Theatre-London)

Type de série: Original
Théâtre: Aldwych Theatre (Londres - Angleterre)

Durée : 1 semaine
Nombre : 13 représentations
Première Preview : 22 January 1996
Première: 31 January 1996
Dernière: 11 February 1996
Mise en scène : Gregory S. Hurst
Chorégraphie : David Toguri
Producteur :
Star(s) :
Avec: Joel Higgins (Jonas Candide), Christine Andreas (Gretchen Herzallerliebst), Mark Joseph (Jimmy Crawford), Mark Heenehan (Malcolm), Michael Fenton Stevens, Roger Leach,
Commentaires : This show has gone down in musical annals as one of the most gloriously awful shows of all time, making “Springtime for Hitler” look like a triumph of good taste.
In a sub-plot we are introduced to Jimmy Crawford, a wimpish young mortician who is gang-raped by two prisoners (and proceeds to sing a song “If it ain’t one thing, it’s another. . . I was just ten when I lost my mother”. As compensation, Jonas takes Jimmy for an orgiastic session at the local brothel. The prison warden, Malcolm, attempts to rape Christine, but then settles for one of the male prisoners. Jonas manages to get the prostitutes into the prison as part of his plan to recue Christine - and so it goes on! This most preposterous story includes two shooting fatalities, a public execution, and a dramatic fire explosion at the end as the lovers float heaven-wards in a cloud of dry-ice and fairy lights. An all-time stinker that closed almost as soon as it opened, it had been enthusiastically received in its 1993 premiere in New Jersey, USA., but lost its entire £1.3 million investment in London.
Presse : I'm writing this review one hour after seeing this musical. Why so quick? Because I don't think it will be on very long, in fact, it might not last the week at this rate. I estimate that the theatre was only about a quarter full, maybe even less and this it's first Saturday of opening. I can't see how they can afford to keep it on very long with such small audiences particularly when it has a cast of over twenty .
This is not your ordinary musical. The story tells of a executioner who falls in love with his first woman victim, and how he tries to help her. There are some bizarre scenes and I question the taste of the show at times.
The music and singing isn't that bad, with the best singing performance by Marc Joseph who plays Jimmy Crawford, he sang "Alone" quite wonderfully.
(Darren Dalglish)

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